The Cat’s Table

Cat's TableWe all have an old knot in the heart we wish to untie.”
― Michael Ondaatje, The Cat’s Table

 The Cat’s Table by Michael Ondaatje is a luminous novel about memory, chance, and the strange alchemy of growing up. The story is set aboard a ship sailing from Colombo to England in the early 1950s. It follows a 11 year-old boy, Michael, who is seated at the ‘cat’s table,’ the least prestigious place in the dining room, far from the authority of adults. From this marginal position, the novel unfolds the ability to see the world obliquely, through curiosity rather than control.

Ondaatje writes with a restraint that is deceptive. The plot is episodic, almost drifting, mirroring the ocean that carries its characters. Michael and his companions—Cassius and Ramadhin move through a floating society of eccentrics, which includes a jazz pianist in disgrace, a mysterious prisoner, a silent tailor, and adults whose private griefs remain partially hidden. These encounters linger like half-remembered stories, suggesting that childhood understanding is always incomplete.

What elevates The Cat’s Table beyond a simple coming-of-age tale is its adult consciousness looking back. The older narrator reflects on how friendships, betrayals, and moments of wonder gained meaning only years later. Memory, is less an archive than a reconstruction shaped by emotion and loss.

The sea voyage becomes a metaphor for life in transition between cultures, innocence and knowledge, belonging and exile. There is no dramatic climax, no grand revelation. Instead, the novel leaves a gentle ache, the sense that some journeys matter not for where they end, but for the fleeting connections made along the way.

The Cat’s Table is a beautiful novel on how childhood experiences quietly, irrevocably shape the adults we become. This bittersweet story of memory & place, of three boys who take a journey by sea from one world to another, which flourishes in the gaps between fact and fiction is my “Read of the Week”

River of Smoke

150px-River_of_smoke“Opium is like the wind or the tides: it is outside my power to affect its course. A man is neither good nor evil because he sails his ship upon the wind. It is his conduct towards those around him – his friends, his family, his servants – by which he must be judged”

– Amitav Ghosh, River of Smoke

River of Smoke, is a novel on trade, empire, and cultural encounter in the age of the Opium Wars. The story is set in Canton in the 1830s, where the novel shifts from the sea-bound drama of Sea of Poppies (first in the Ibis trilogy ) to a more contemplative, cosmopolitan world shaped by commerce and ideas.

Canton, in this story is neither completely Chinese nor European, it’s a place where merchants, sailors, painters, and exiles coexist uneasily. Characters such as the opium trader Bahram Modi and the painter Robin Chinnery are not heroic figures but moral intermediaries, caught between profit and conscience. Through them, Ghosh explores how global capitalism takes root not only through violence, but also through everyday transactions, friendships, and compromises.

The novel is dense, patient, and immersive, demanding attentive reading. Historical detail is worn lightly, yet it is a critique of imperial greed and cultural misunderstanding. Unlike conventional historical fiction, River of Smoke resists dramatic climax, choosing instead to trace the slow, inexorable drift toward catastrophe.

‘River of Smoke’, a brilliant historical fiction set in late 19th century China is my “Read of the week”.

Snow

“How much can we ever know about the love and pain in another heart? How much can we hope to   understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?”
― Orhan Pamuk, Snow

Snow is a powerful, unsettling novel set in the snow covered isolation of Kars, a remote Turkish town and uses this landscape as a crucible for deep cultural, political, and emotional conflict.

At the heart of the novel is Ka, a poet and returned political exile, who arrives in Kars hoping for poetic inspiration and solace, and possible reconnection with an old love, Ipek. As the town becomes caught in a tense standoff between secularists, Islamists, and political opportunists, Ka’s personal longings become entangled in tragic social realities.

Pamuk’s strength lies in his subtle, unsentimental portrayal of clashing worldviews. He reveals how secularism, religious fundamentalism, political ambition, all contribute to heartbreak, betrayal, and disillusionment. The snow itself becomes a metaphor for erasure, silence, and the fragility of truth.

Through Ka’s inner turmoil and bursts of poetic inspiration, Pamuk reflects a universal search for identity, belonging, and meaning in a world fractured by ideology. The result is a novel that is both timely and timeless, a stark meditation on faith, freedom, and the cost of dividing lines.

 This political thriller set in Turkey is my “Read of the Week”

SKY CAPTAIN AND THE WORLD OF TOMORROW

skyGenre: Action/Sci-fi | Year: 2004 | Duration: 106 mins | Director: Kerry Conran| Medium: VCD (BIG Home Video) | Trailer: HERE | My rating: 4*/5*

Fav dialogue: “Dex: [walks in on Joe aiming a gun at Polly] Oh, great, we all made up!?”

Manhattan is attacked by giant robots and robotic birds, and mysterious disappearances of world’s top scientists, makes Polly Perkins (Gwyneth Paltrow) and her dashing ex, Sky captain ( Jude Law) go around the world on man hunt for Totenkopf (with a biblical plot of futuristic arc and miniaturised animals), till they reach Tibet to find underground lair of the nerd villain. The entire film reminded me of moving comics and brilliant CGI, and even the robots were cool along with the mysterious protector of the legion (Bai Ling), the use of amphibious WWII plane by the sky captain seemed too outdated (he certainly deserved a mean machine). Franky Cook (Angelina Jolie) as the commander of an all-female fleet adds the oomph factor (even though there are no hot scenes throughout the movie), and Dex (Giovanni Ribisi) the technical genius abducted by the robots suddenly re-appear at climax to rescue Polly & Sky Captain.

Being a lover of sci-fi & comics/animation, I enjoyed it as my ‘Movie of the Day’.

THE BRIDGES OF MADISON COUNTY

bridges1

Movie Review: The Bridge of Madison County

Genre: Drama/Romance | Year: 1995 | Duration: 135 mins | Director: Clint Eastwood | Medium: DVD (BIG Home Video) | Trailer: HERE | My rating: 4*/5*

“The old dreams were good dreams; they didn’t work out but I’m glad I had them”

The best part of the movie is the portrayal of the illicit romance between Kincaid (Clint Eastwood) and Francesca (Meryl Streep). Playing the role of an underappreciated bored housewife, Streep excels at bringing out both ecstasy and nervousness, and Eastwood’s brilliant performance of a man recognizing his unspoken loneliness. Streep is astoundingly convincing with her use of mannerism, accent, look and reaction, which is unparalleled.

Good direction makes this film a work of heartbreaking story of emotional turmoil, unfulfilled dreams and tough choices.

This not-so-perfect, yet delightful drama is my “Movie of the Day”

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