The White Tiger

whiteThe White Tiger

by Aravind Adiga | 318 Pages | Genre: Fiction| Publisher: HarperCollins India| Year: 2008 | My Rating: 9/10

“You Chinese are far ahead of us in every respect, except that you don’t have entrepreneurs. And our nation, though it has no drinking water, electricity, sewage system, public transportation, sense of hygiene, discipline, courtesy, or punctuality, does have entrepreneurs. Thousands and thousands of them. Especially in the field of technology. And these entrepreneurs – we entrepreneurs – have set up all these outsourcing companies that virtually run America now.”

– Aravind Adiga, The White Tiger

In his debut novel, which won the Man Booker Prize in 2008, Aravind Adiga has brilliantly portrayed the modern India with its newfound economic prowess through its narrator, Balram Halwai aka Munna with an obsession for China, Chandeliers, and Corruption, rising from being a ‘country mouse’ from a nondescript village of Bihar to a business entrepreneur in technology driven Bangalore. Balram’s narrative is framed as a letter to the visiting Chinese Premier, written over seven nights while sitting at his office in Bangalore. In his letter he talks about the initial years of his life spent in Laxmangarh attending school for few years before moving to work with a tea stall, and later moving to Dhanbad with his brother Kishan, where he learnt how to drive and became a driver for a weak-willed son of a feudal landlord from his village. For him ‘the darkness’ represents the areas around river Ganges deep in the heartland marked by medieval hardship, where brutal landlords hold sway, children are pulled out of school into indentured servitude and elections are routinely bought and sold. Later he moved to Delhi with his employers, which he has described as moving from ‘darkness’ to ‘light’, and one rainy day he slit the throat of his employer with a broken bottle of Johnnie Walker Black, which he justifies as an act of class warfare, took seven hundred thousand rupees in cash and fled to Bangalore. His life in Delhi has taught him the corruption of government and politics, inequality between rich and poor, which he uses to set up his business of transportation for call centers with a motto of ‘driving technology forward’.

This novel as a penetrating piece of social commentary, attuned to the inequalities that persist despite India’s new prosperity is my Read of the Week.

Arzee The Dwarf

arzee_the_dwarfArzee The Dwarf

by Chandrahas Choudhury | 184 Pages | Genre: Fiction| Publisher: HarperCollins India| Year: 2009 | My Rating: 8/10

“I am myself in my thoughts too much,
I seek recourse to myself too soon,
My days don’t stand up without a crutch,
I sing my own song out of tune.
I stand before the mirror too long,
Stare big at the eyes that return my gaze,
My shadow seems to me more strong
Than my shrunken heart, that lonely place.
My worries hang about me like clouds,
And my creditors they come calling,
My being is riven by spooks and doubts,
The walls of my house are falling.
In mine own alleys I traipse and turn,
Dreamlike I float through nights and days,
I watch the hours slowly burn,
And do not leave on time my trace.
I myself speak and myself hear,
And myself act and myself see,
My own self extends far and near,
And so I cannot myself be.”

– Chandrahas Choudhury, Arzee The Dwarf

In his debut novel, Chandrahas Choudhury has skillfully captured the nuances of intimate life and dreams of Arzee, who’s a midget, working at an old cinema hall in Mumbai as a deputy projectionist. Even though all the thirteen chapters revolve around him and he’s the protagonist of this novel, Choudhury has not projected him as a larger-than-life hero, which makes his world as interesting as that of a common man, yet one cannot stop feeling sympathy for that man whose all troubles stem from him being a midget or a dwarf. So much so that the characters around him forget his last name Gandhi, and instead address him as ‘Arzee the dwarf’. The beauty of this books lies in its prolific prose and colloquial dialogues portraying time and space, old world charm portrayed through the dying Noor cinema and modern day problems of love, money, and self-image, the memorable characters that even ‘The Babur’ the projection machine, which is Indian mutation of its German name Bauer seems to breath life. The novel ends without a definite ending as if Choudhury was overcautious to continue, leaving the readers to decipher it themselves about the new turns Arzee’s life is to take.

This novel full of pathos and pragmatism is my Read of the Week.

Australia

ausGenre: Period/Drama | Year: 2008 | Duration: 165 mins | Director: Baz Luhrmann| Medium: DVD (Sony Home Video) | Trailer: HERE | My rating:4*/5

Fav Dialogue: Magarri: “If you’ve got no love in your heart, you’ve got nothing… No dreaming, no story, nothing”

This historical romance is set in pre – WWII picturesque Australian outback is a story of Lady Sarah Ashley (Nicole kidman) an English aristrocrat who inherits a sprawling ranch in Faraway Downs (Northern Australia) whose husband is killed shortly before her arrival. Sarah is helped by this rugged ’Drover’ (Hugh Jackman) with whom an unbashed romance grows over time. Sarah is also captivated by a young boy Nullah (Brandon Walters) who’s called ‘creamy’ by local white population as he had an aboriginal mother and a white father. The movie shows the undercurrent of racial tensions between the aboriginees and the white population. Towards the end of the film, grief, loss and disaster is beautifully portrayed through Japanese attack of Darwin (1942)

This overstretched yet ambitious film filled with sheer adventure and slapstick humor is my “Movie of the day”.

Silverado

silverGenre: Western| Year: 1985 | Duration: 133 mins | Director: Lawrence Kasdan| Medium: VCD (BIG Home Video) | Trailer: HERE | My rating: 3.5*/5

Fav Dialogue: “Cobb: We’re gonna give you a fair trial, followed by a first class hanging.”

Silverado is a western to its core with with wilderness, cool gun fights, lonely good guys and bad guys on a killing spree. Kasdan has approached a 50′s & 60′s story from a present-day standpoint, which is quite refreshing. The film is about four cowboys, Emmett (Scott Glenn) an ex-con, who while travelling to Silverado meets Paden (Kevin Cline) lying in the desert after being robbed and left to die. They travel to Turley and rescue Emmett’s brother Jake (Kevin Costner) who is waiting death by hanging in the jail for killing a man in self-defense, with some help of Mal (Danny Glover) a black cowboy suffering racism from the sheriff Langston (John Cleese). The story bends and take new turns on freeing Silverado from the hands of corrupt officials and local businessman, and re-building its future by these four lonesome cowboys.

This humorous yet somber cowboy film is my ‘Movie of the Day’.

CAPTAIN CORELLI’S MANDOLIN

220px-Mandolinfilm1Genre: Romance/Drama | Year: 2001 | Duration: 131 mins | Director: John Madden| Medium: VCD (BIG Home Video) | Trailer: HERE | My rating: 3.5*/5

Fav Dialogue: “Dr. Iannis: When you fall in love, it is a temporary madness. It erupts like an earthquake, and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots are to become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the desire to mate every second of the day. It is not lying awake at night imagining that he is kissing every part of your body. No… don’t blush. I am telling you some truths. For that is just being in love; which any of us can convince ourselves we are. Love itself is what is left over, when being in love has burned away. Doesn’t sound very exciting, does it? But it is!”

Even though am a fan of Nicholas Cage and Penelope Cruz, I enjoyed this movie mostly because of its beautiful cinematography. The film’s story, based on Louis de Bernieres novel, is of a beautiful greek girl falling in love with an infantry officer from the occupying Italian forces during the second world war. Captain Antonio Corelli (Nicholas cage) has a love for music and keeps his mandolin in his knapsack insead of an officers’ baton, and strumming on his mandolin charms the gorgeous Pelagia (Penelope Cruz) off her feet (and her pants too!). However John madden fails to capture the essence of music transcending the brutality of war and nationalistic boundaries. Cage didn’t sound Italian enough and nor did Cruz did justice with the Greek accent. The movie does show brilliance in parts in bringing out the pathos and grit of war time romance.

This flawed, yet sweet war-time romance is my ‘Movie of the Day’.

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