Cloud Atlas

by David Mitchell | 544 PagesGenre: Fiction | Publisher: Hodder & Stoughton | Year: 2004 | My Rating: 9.5/10

“A half-read book is a half-finished love affair.”
― David Mitchell, Cloud Atlas

Some novels entertain, others provoke. David Mitchell’s Cloud Atlas does both and then something rarer still, it bends the time itself! Since its publication in 2004, this novel has become a cult classic, not only for its intricate structure but also for its audacious attempt to string together the vast tapestry of human existence from past, present and future. The book is one of the most original, unusual, and polarising works on this century.

Mitchell presents us with six interconnected stories that span centuries and genres, a 19th-century Pacific voyage, letters from a young composer in Belgium, a taut thriller set in 1970s California, a satirical farce about a vanity publisher, the interrogation of a genetically engineered clone in a near-future Korea, and a tale told in a fractured dialect after civilization’s collapse. At first, these stories seem like discrete novellas. Yet as each thread is interrupted and later resumed, patterns begin to emerge, as symbols, names, and echoes that ripple across time.

Reading Cloud Atlas is like listening to a symphony in six movements. Each section has its own rhythm, its own instrumentation, yet together they build a haunting, resonant chorus about power, exploitation, love, and resilience. The stories have drama, thrill, humour and fantasy, and takes a deep look into the nature of humanity and moral choices. Mitchell’s message is clear but never heavy-handed, history is cyclical, cruelty and greed recur, but so too do acts of kindness, rebellion, and hope.

A movie was released in 2012 based on the adaptation of the book by the same name featuring Tom Hanks and Halle Berry. The main difference between the book and the movie is the structure and depth, with the book offering distinct, in-depth narratives and complexities, while the movie uses a faster, intercutting cinematic style that emphasizes visual connections and emotion over intellectual understanding, though sometimes oversimplifying plot points like Sonmi-451’s ending. 

This brilliantly written book’s shift in style across the stories can be dizzying, and the patience it demands is substantial. But when the final notes fall into place, the reward is profound, a recognition that our lives, however fleeting, echo forward and backward, part of something infinitely larger.

Cloud Atlas is not just a novel, it is a meditation on the human nature, a daring cartography of time.

I am including some of my most favourite quotes from this book, which is totally worth mentioning with this review.

  • “Power, time, gravity, love. The forces that really kick ass are all invisible.”
  • “My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?.”
  • “Anticipating the end of the world is humanity’s oldest pastime.”
  • “Nothing is as eloquent as nothing.”

Light

Light: Empty Space (Kefahuchi Tract) 

by M. John Harrison | 336 PagesGenre: Science Fiction/Fantasy Literature | Publisher: First edition published by Gollancz. My edition published by Orion Publishing | Year: 2002 | My Rating: 9/10

“When you have done all things worth doing, you’re forced to start on things that aren’t”
― John Harrison, Light

Light is profoundly complex, dark, draining, unusual sci-fi mystery with a great ending. It has an uneven mosaic of two timelines filled with symbolism and curious characters. It’s not an easy read, nor it is likeable in the first instance. The book builds on you with the time you invest through the pages and remain invested in the story. 

The story bridging three stories from present Earth of 1999 and post Earth with distant and futuristic galactic settings in the year 2400, initially feels disjointed. Yet Harrison’s skill lies in gradually and subtly revealing the connections among these strands that are anchored by the mysterious cosmic phenomenon known as the Kefahuchi Tract. In this future, humanity is scattered across planets surrounding the Kefahuchi Tract, a space-time anomaly, a “singularity without an event horizon”. Violence and sex recur throughout in brusque, almost clinical tones as part of a broader theme that human depravity and detachment persist, whether in corporeal present or digital futurity.

In 1999 London, Michael Kaerney, quantum physicist and serial killer, is seeking an escape in a future that doesn’t yet exist – a quantum world that he hope to access through a breach of time and space. In this future, Seria Mau Genlicher has already sacrificed her body to merge into the systems of her starship, the White Cat. In this future, Ed Chianese, a drifter and adventurer, has ridden dynaflow ships, run old alien mazes, surfed stellar envelopes. Haunting them all through this maze of menace and mystery is the shadowy presence of the Shrander, a being with a horse skull for a head. 

I have wanted to read this book for so long, until I received it as a birthday gift 22 years later. This enigmatic blend of literary complexity, cyberpunk, and metaphysical dread is worth reading. However, this certainly is not a casual read. You need focus and dark scientific imagination to relish its thematic depth. Once you have read this, you would be hooked to read the two sequels Harrison wrote, completing the triology.

Code Dependent: Living in the Shadow of AI

Code Dependent: Living in the Shadow of AI

by Madhumita Murgia | 320 Pages | Genre: Non-Fiction | Publisher: Pan Macmillan | Year: 2024 | My Rating: 5/10

My life—and yours—is being converted into such a data package that is then sold on. Ultimately, we are the products.”
― Madhumita Murgia, Code Dependent

Code Dependent is a collection of case studies about people who are affected by technology, without the rigour and analysis that I was expecting. But then it is not an academic or research-oriented book, but more in the popular non-fiction genre. Several of the case studies in the book reflected on the dark side of technology and social media manipulation of individuals and communities, and their rights, privacy, freedom and future.

The book is an account of how the algorithms used by tech in our daily lives through the user-friendly apps like Google Maps, Uber, Instagram, Facebook and others are changing us and the way we see the world. Our data and us as data is continuously being used for targeted advertisements to make businesses grow fatter.

Murgia defines AI as “a complex statistical software applied to finding patterns in large sets of real-world data.” I believe that AI is much more than Statistical Pattern Recognition (SPR), and this viewpoint of the author is quite narrow.

I agree with Murgia’s take on emergence of new data colonialism around the worlds, especially in under-developed and poor economies, where sub-contracting create numerous jobs as data workers, but wealth created in not shared equitably. ‘Informed Consent’ seemed misinterpreted in the book, and subjective.

There was less of ‘AI’ and more of ominous ‘shadows’ in the book. While the book talks about algorithmic bias against people, it certain has flavours of human bias against technology from the author. The book read more on data transparency than demystifying the positives and negatives of AI and technology. Pessimistic views due to advancement in technology is more pronounced throughout the book.

The book is still a fascinating read, with glimpses of ‘how AI is altering the very experience of being human’.