Economics is not about money

Most people think economics is about money, but it’s not. If it were, your life would make far more sense than it does. Economics begins much earlier than money, as it starts the moment you realise that you cannot have everything at once. You cannot have a high-paying job and abundant free time. You cannot have absolute security and complete freedom. You cannot say yes to every opportunity without saying no to something else. Economics is not about how much you earn, but what you give up for it. That invisible sacrifice, ‘what you could have done but didn’t, ‘ is the true currency of economics. We seldom talk about it, but it quietly shapes every decision we make.

Think of any random normal day of your life. You wake up earlier than you would like because traffic can be unpredictable. You scroll your phone while sipping morning tea, not because you want to, but because silence feels uncomfortable. You choose a quicker breakfast over a healthier one. You delay a difficult conversation at home. You tolerate a job you dislike because it pays the bills. None of these choices feels ‘economic.’ They feel personal. But every choice that you make is a trade-off. When you choose speed over health, comfort over honesty, income over meaning, you are doing economics. You are allocating scarce resources, such as time, energy, attention, and emotional capacity. Money enters later, as a convenient measuring tool, but the logic is already at work.

In India and several other similar developing countries, we live in a constant state of trade-offs. Long commutes to work steal hours from families. Overcrowded classrooms dilute learning. Low wages are compensated by the promise of stability. We accept these compromises so routinely that they stop feeling like choices at all and begin to feel like fate. Economics helps us see that they are not.

No matter how rich or poor you are, time is always in limited supply. A billionaire has the same twenty-four hours as a daily-wage worker. A student in Delhi and a farmer in Bihar both face limited days and uncertain futures. What differs is not scarcity itself but how it is managed and who bears its cost. Scarcity forces choices, which create trade-offs, and ultimately, trade-offs determine winners and losers.

If economics is about trade-offs, then the most important question is not about what we want, but what we are willing to give up, and who decides? This is where economics moves from being a personal lens to a political one. In democracies, these decisions are meant to be collective, negotiated through debate, budgets, and votes.  When a government invests heavily in urban infrastructure but underfunds primary healthcare, it is not simply prioritising growth over welfare, but is choosing whose time matters. The commuter stuck in traffic benefits from a flyover, while the woman who walks kilometres to a hospital pays the price. These outcomes are often defended as efficiency, but efficiency for whom is rarely asked. Economics reminds us that aggregate gains can coexist with deep individual losses, and that averages hide pain as effectively as they reveal progress.

This way of thinking also changes how we view success. Growth figures, income levels, and productivity rates dominate economic conversations, but they measure outputs, not experiences. A country can grow richer while its people grow more anxious. A company can become more profitable while its workers burn out. A household can earn more while spending less time together. When we ignore these costs, we risk building systems that look successful on paper but feel unbearable in practice. 

There is also a moral dimension to trade-offs that markets alone cannot resolve. Markets are excellent at responding to purchasing power, but often silent about need. They reward those who can pay, not those who suffer most. That is why leaving everything to ‘the market’ is itself a choice, one that often shifts costs onto the weakest. When clean air, safe housing, or quality education are treated purely as commodities, inequality is not an accident, but it is an outcome. Economics helps us see that fairness is not automatic, but must be designed.

This is the uncomfortable truth economics insists on. Every policy, every system, every personal decision benefits one and burdens someone else. There is no free lunch, only cleverly hidden bills. When a city prioritises flyovers over footpaths, it chooses cars over pedestrians. When an education system rewards rote learning, it sacrifices curiosity. When a company celebrates long working hours, it quietly taxes family life. These are not moral failures but are economic decisions. However, pretending they are natural or inevitable prevents us from questioning them.

The most dangerous costs are the ones we don’t notice. When an app is free, we assume there is no price. When a government scheme promises something for nothing, we rarely ask who is paying. When a product is cheap, we celebrate efficiency, not exploitation. But every benefit has a cost. If you don’t see it, it’s probably being paid by someone else, or even by your future self. Cheap food often means underpaid farmers. Free social media means monetised attention. Low taxes can mean broken public services. Fast growth can mean polluted air and exhausted bodies. Economics trains us to ask an unfashionable question: compared to what? Without this lens, we mistake convenience for progress.

At an individual level, thinking economically can be liberating. It replaces guilt with clarity. If you understand that your exhaustion is not just a personal failure but the result of incentives that reward overwork, you can begin to question those incentives. If you recognise that your inability to save is linked to rising living costs rather than laziness, you can demand better policies instead of harsher self-judgment. Awareness does not eliminate constraints, but it changes how we respond to them.

One of the quiet cruelties of modern life is how easily individuals are blamed for structural problems. If you are unemployed, you are told to upskill. If you are stressed, you are told to meditate. If you are poor, you are told to work harder. But you are rarely told to examine the system that made these outcomes likely in the first place. Economics reveals patterns where we see only personal failure. It shows how incentives shape behaviour, how power hides behind ‘market outcomes,’ and how rules written long ago continue to decide who gets ahead today. This does not absolve individuals of responsibility, but it does bring honesty to the conversation. You cannot fix what you refuse to name.

Economics is not about predicting stock prices or defending ideologies, but is more about clarity. About seeing how choices are shaped, how costs are distributed, and how power operates quietly through everyday decisions. You do not need equations to think economically. Instead, you need curiosity and courage to ask uncomfortable questions. And you need the humility to accept that every solution creates new problems. Once you start seeing life this way, it becomes difficult to unsee. You begin to notice the price tags on things that never claimed to be for sale, like time, trust, dignity, and attention. That awareness does not make life easier, but it makes it more honest. And honesty, in the long run, is the most valuable currency we have. When we see costs clearly, we can finally argue about whether they are worth paying, and whether the bill is being shared fairly. India is a masterclass in everyday economics. Families choose stability over passion, young people choose migration over belonging, villages trade environment for employment, and women trade ambition for safety. These are not random decisions but often are rational responses to constraints. When options are limited, even painful choices begin to make sense. Understanding this limitation is empowerment.

Payback: Debt and the Shadow Side of Wealth

Author: Margaret Atwood | 240 Pages | Genre: Non-Fiction | Publisher: Bloomsbury Publishing PLC | Year: 2008 | My Rating: 8/10

“Without debt, there would be no such thing as credit, and without credit, economies would not exist. But equally, without debt, there would be no such thing as forgiveness.”

-Margaret Atwood, Payback

Payback: Debt and the Shadow Side of Wealth was originally presented as the Massey Lectures in 2008. It is not a book about economics in the traditional sense, as it does not include balance sheets, market trends, or policy prescriptions. Instead, it is a work of literary and moral imagination, a wide-ranging meditation on what debt means, which is not only as a financial construct but as a moral, psychological, and even mythical one. Atwood has shared an idea that governs much of modern life, the idea of owing and being owed. The book’s tone is conversational yet filled with insights, blending history, literature, religion, and personal reflection. It says that debt is an idea that is created by humanity, and that it is closely connected to our concepts of justice, sin, and morality. 

The book is structured into five chapters: Ancient Balances, Debt and Sin, The Shadow Side, Payback, and Payback: The Shadow Side. Each chapter explores debt from a different perspective—cultural, literary, economic, and ecological, slowly building toward a conclusion about the balance between taking and giving, destruction and renewal.

The book traces the origins of debt to ancient times, where it was not only a financial but also a moral and spiritual one. In many cultures, debt has been synonymous with guilt. For example, the language of ‘redemption’ and ‘forgiveness’ in Christianity has deep economic roots. This moral overlap is not accidental. Instead, it reflects a psychological need for balance, for settling accounts not only in terms of money but in life.

Ancient systems of justice were often modelled on an eye for an eye, or a life for a life. The idea of fairness was inherently transactional. Thus, debt becomes a metaphor for all human obligations, between individuals, between human beings and gods, and eventually between humanity and the planet. Therefore, economic debt, moral guilt, and ecological imbalance all stem from the same root: the failure to honour reciprocity.

Atwood moves seamlessly through the Bible, Shakespeare, Dickens, Marlowe, and even pop culture, treating each as a kind of moral ledger. Ebenezer Scrooge, the most famous debtor and creditor in fiction, becomes a recurring figure. She also references Dr. Faustus, who sells his soul to the devil as a literal debt contract. Debt stories are also about identity, who owes whom, and what kind of person it makes you to owe or to be owed. These examples highlight how debt has long served as a narrative to explore human frailty, justice, and redemption.

In the third chapter, ‘The Shadow Side,’ Atwood dives into the psychology of debt and how it can enslave, corrupt, and distort. She talks about Jung’s idea of the hidden moral darkness within every person and society. In this way, debt is like the shadow side of wealth, showing the unseen costs of accumulating riches. Atwood uses historical examples, from debtors’ prisons in Victorian England to the 2008 global financial crisis, to show how societies often ignore moral responsibility. When people or institutions borrow more than they can handle, they’re not just taking financial risks but moral ones too. The book, published just before the 2008 crash, eerily predicts the crisis that was about to happen. Modern capitalism relies on the constant creation of debt, which is both the system’s driving force and its curse. Debt is everywhere, yet we rarely stop to think about its harmful effects.

In the book’s final chapter, a contemporary ‘Scrooge Corporation’ is visited by the Spirit of Earth Day Future. This eco-fable weaves together Atwood’s arguments into a narrative of humanity’s reckoning with the natural world. The spirit unveils to Scrooge the dire consequences of his unbalanced ledger, which comprises a planet drained of resources, tainted by waste, and devoid of moral responsibility. By reinterpreting a well-known moral story through an ecological lens, the book compels the reader to understand that the language of debt is synonymous with the language of survival. When we speak of ‘owing the Earth’ or ‘repaying our debts to future generations,’ these expressions are not merely metaphorical, as they represent literal truths.

Atwood’s writing is witty, elegant, sharp and ironic. Her ability to seamlessly transition from ancient myths to modern finance is truly remarkable, and she always reminds the reader that behind every number, there’s a story. There are moments of satire, especially when she targets corporate greed or political hypocrisy, but also passages of lyrical reflection that showcase her poetic sensibility.

The book is a mix of essay, cultural history, and allegory. Its interdisciplinary approach mirrors the complexity of its subject. Debt isn’t just about economics; it shapes our moral and social worlds. However, Atwood’s digressions and literary references, while enlightening, can sometimes overwhelm readers who aren’t familiar with them. Each chapter feels like a conversation with a brilliant, slightly mischievous teacher who loves turning assumptions upside down. The book is a moral reckoning disguised as a literary essay. It’s a call to remember that every ledger, no matter how abstract, has a human cost. Atwood’s lesson through this book is that living ethically means recognizing one’s debts, not just in money, but in gratitude, care, and responsibility.

No Country for Old Men

countryGenre: Thriller/Crime | Year: 2007 | Duration: 122 mins | Director: Ethan & Joen Coen| Medium: VCD (BIG Home Video) | Trailer: HERE | My rating:5*/5*

Fav Dialogue: “Nervous Accountant: Are you going to shoot me?
Anton: That depends. Do you see me?”

This movie is a pitch-perfect thriller that delivers the intended fear and suspense, and at the same time the directorial brilliance thrashes the conventions of the genre. No doubt it won four Oscars, including best film & best director! The film starts with Llewelyn (Josh Brolin) hunting in West Texas when he comes across a drug deal gone bad, a wounded mexican, dead dogs and men, and 2 million dollars in a black satchel bag. He’s throughout chased by Anton (Javier Bardem), a psychopath hitman hired to recover the money, who uses a captive bolt pistol as his choicest weaponry for killing. Sherrif Tom Bell (Tommy Lee Jones) is investigating the case of a string of murders by Anton, who plans to retire from active service as he feels over & outmatched. Anton kills Llewelyn, and visits Llewelyn’s wife for a pledge that he had.

This film, which is a faithful adaptation of McCarthy’s novel, and is full of pessimism, nihilism and nervous dark humor, is my “Movie of the Day.”