The Sisters Brothers

9781847083180“Come with me into the world and reclaim your independence. You stand to gain so much, and riches are the least of it.”
– Patrick deWitt, The Sisters Brothers
This books made me laugh with its adroit humor and cringe at the same time. Delightful. The story is narrated by Eli Sisters, a hired killer on the American west coast in 1851, around the time of the Gold Rush in the Sierra Nevada mountains. However Eli barely gives the American landscape a glance, and people met along the way are simple figures in his moral drama. Nor does Eli have any larger philosophical or socio-historical insights to offer for the century this story is set in. This hilariously anti-heroic and relentlessly compelling novel is my “Read of the Week”.

The Tiger’s Wife

8366403When your fight has purpose—to free you from something, to interfere on the behalf of an innocent—it has a hope of finality. When the fight is about unraveling—when it is about your name, the places to which your blood is anchored, the attachment of your name to some landmark or event—there is nothing but hate, and the long, slow progression of people who feed on it and are fed it, meticulously, by the ones who come before them. Then the fight is endless, and comes in waves and waves, but always retains its capacity to surprise those who hope against it.”
― Téa Obreht, The Tiger’s Wife

This novel full of historic and human complexities of Balkans through its principal narrator, Natalia Stefanovic, a young doctor who lives with her mother, grandmother and grandfather in an unnamed Balkan city early in the 21st century, is my “Read of the Week”.

American Gods

113767203What I say is, a town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore it knows it’s not fooling a soul.” ― Neil Gaiman, American Gods

American Gods is a masterful blend of mythology and existential questioning, crafted with the confidence of a storyteller who knows how to make the unreal feel intimately familiar. The novel follows Shadow Moon, a man adrift after personal tragedy, who becomes entangled in a looming war between the old gods brought to America by immigrants and the new gods born of technology, media, and modern obsession.

Gaiman uses this supernatural conflict to explore what a nation chooses to worship, and what those choices reveal about identity, belief, displacement, and memory. His America is vast, strange, melancholic, and quietly magical with a landscape where roadside attractions become sacred spaces and forgotten deities cling to survival.

What makes the novel enduring is its atmosphere: moody, mythic, and laden with symbolism. Shadow’s journey is both epic and introspective, revealing the cost of faith and the fragility of stories in a changing world.

While the pacing occasionally drifts, the richness of character, imagination, and cultural insight more than compensates. American Gods remains one of Gaiman’s most ambitious works, an absorbing, thought-provoking modern myth that lingers long after the final page.

 This dark, poetic and thrilling novel across an American landscape is my “Read of the Week”.

The Sense of an Ending

b3“How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but – mainly – to ourselves.”
― Julian Barnes, The Sense of an Ending

The Sense of an Ending is a quiet, unsettling novel that lingers long after its final page. The memoir like novel is narrated by Tony Webster, who looks back on his friendships, his first love, and a moral failure he barely understood at the time of his youth. What begins as a calm story in nostalgia gradually turns into an examination of how memory deceives, and flatters us.

The author is less interested in what happened than in how we remember what happened. Tony believes he has lived an ordinary, decent life, but a late-life inheritance forces him to confront the possibility that his past actions had darker consequences than he imagined.

The writing is spare, precise, and simple. Barnes resists sentimentality, allowing ambiguity to do the emotional work. The novel ultimately asks unsettling questions about responsibility, guilt, and time. Do we ever truly understand our own lives, or do we merely settle for a version that feels bearable? It is a small book with a profoundly disturbing aftertaste.

This 2011 Booker Prize winning, witty, cynical and ironic novel is my “Read of theWeek”

The Cat’s Table

Cat's TableWe all have an old knot in the heart we wish to untie.”
― Michael Ondaatje, The Cat’s Table

 The Cat’s Table by Michael Ondaatje is a luminous novel about memory, chance, and the strange alchemy of growing up. The story is set aboard a ship sailing from Colombo to England in the early 1950s. It follows a 11 year-old boy, Michael, who is seated at the ‘cat’s table,’ the least prestigious place in the dining room, far from the authority of adults. From this marginal position, the novel unfolds the ability to see the world obliquely, through curiosity rather than control.

Ondaatje writes with a restraint that is deceptive. The plot is episodic, almost drifting, mirroring the ocean that carries its characters. Michael and his companions—Cassius and Ramadhin move through a floating society of eccentrics, which includes a jazz pianist in disgrace, a mysterious prisoner, a silent tailor, and adults whose private griefs remain partially hidden. These encounters linger like half-remembered stories, suggesting that childhood understanding is always incomplete.

What elevates The Cat’s Table beyond a simple coming-of-age tale is its adult consciousness looking back. The older narrator reflects on how friendships, betrayals, and moments of wonder gained meaning only years later. Memory, is less an archive than a reconstruction shaped by emotion and loss.

The sea voyage becomes a metaphor for life in transition between cultures, innocence and knowledge, belonging and exile. There is no dramatic climax, no grand revelation. Instead, the novel leaves a gentle ache, the sense that some journeys matter not for where they end, but for the fleeting connections made along the way.

The Cat’s Table is a beautiful novel on how childhood experiences quietly, irrevocably shape the adults we become. This bittersweet story of memory & place, of three boys who take a journey by sea from one world to another, which flourishes in the gaps between fact and fiction is my “Read of the Week”